Fabulous! Basically almost all of the Bhandarkar movies are my favourites. This one adds to the list. I loved the movie. It's in typical Bhandarkar style. Cinematography is very gripping. And Priyanka does her part right. Oh man, she looks amazing throughout the movie! Another sensational character, Shonika is well designed and Kangana Ranaut is the best choice for the role. She's surely gonna win all the supporting actress awards next year! And is it true that almost all fashion designers are femnine or gay? At least that is what been portrayed in the movie. Bhandarkar articulately brings out the face of fashion world with his high profile dramatic scenes and songs. His last movie, Traffic Signal was nice as well but not as good as Chandani Bar or Page 3. With this one, he has gone to his basics again and surely gonna bag awards next year. Go for it!
Over-exaggeration of anything may result in a failure. And the best example of this statement is Sanjay Leela Bhansali's Saawariya. It worked for Devdas since it had some mind-blowing performances and a soulful screenplay. It worked for Black since it had a brilliant theme and a purpose keeping the dumb-and-deaf people in sight. But it doesn't work here. There isn't anything new to see and the exaggerated art direction just puts you off. And the end result is an over-exaggerated play of love and emotions which lacks depth and soul. The tragic end adds fuel to the fire. Why did he choose such an end? Does he wanted us to rave about his so-called gracious and delightful couple? The scenes slide one after another as if we're watching an extended version of Black. Music is no doubt, appreciable (Jab Se Naina, Yu Shabnami and Saawariya were brilliant!) but how does it matter if screenplay itself lacks soul? The only positive point about this Bhansali's saga is the performances. No, not of Sonam Kapoor..she's cute and sweet but sadly, lacks the much required acting aura for the character of Sakina. Rani Mukherji comes out as a pleasant surprise, gets to the skin of the character and delivers a mind-blowing performance (and she doesn't cry a lot in this one!!). Zohra Sehgal is sweetest lady I've seen in the recent times...hats off to her performance which adorns the sincerity of her character. And yes, last but not least, Ranbir..who's charismatic..handsome..does extremely well. The shades of his father were visible in his oration. Definitely, a graciously inherited heritage of acting is his plus point. But it couldn't save the movie. Silence...grand sets...and lots of drama doesn't always help. Bhansali lost this time.
It’s all fun. Music is hilariously best…appreciable work by Vishal and Shekhar. I wanted to see more of Kirron Kher who was excellent. And heyy, what’s up with Priyanka? I mean…she have always looked beautiful, but this time she is unbelievably awesome! She looks sexy, charming and elegant in each and every scene of her. A competent performance…though nothing more challenging for her to do but still looked and acted very well…this is definitely her year…Fashion…Dostana…no wonder you hear it next year…and the Best Actress Award goes too… And all the fuss about gays and homosexuality…uff! I mean it’s nothing to do with it. Still Karan maintained, in his interviews, that the movie will change people’s perception about homosexuality. Really? Ho-hum! John needs some acting lessons…and Abhishek was excellent. But anyway, first time ever the commercial cinema has at least dared to laugh on gays whole-heartedly. Fire, My Brother Nikhil were the serious attempts but commercially tanked. And I heard that NCP leaders are high on this movie too. Why? Maa ka ladla bigad gaya?
If you haven't watched this movie, then you have really missed something so important as far as Hindi Films are concerned.
The story is very much simple. You may feel that now but remember the year in which it was released and I would like to salute the writer-director Mahesh Bhatt for presenting and highlighting the issue of extra-marital affairs at that time! It's a story about an extra-marital affair between Inder and Kavita, a popular film actress and the consequences of this affair on his marriage and his wife, Pooja. Kavita turns psychic and slowly starts feeling insecure about being in such an undefined relationship while Pooja leaves Inder's life to enter a life full of self respect, independence and dignity.
All the songs, be it Tum ye jo itna muskurarahe ho.. or Koi ye kaise baatayein.. are touching and heart-melting..Jagjit Singh and Kaifi Azmi deserves the credit which they got. Direction is too good and last but not least, the performances by almost all actors which keep you engaged till the end. Shabana Azmi delivers a flawless Pooja with such a calm and restrained performance. She excels truly in that party scene when she first faces Kavita. Kulbhushan Kharbanda plays the troubled man with much needed consciousness. Rohini Hattangadi and Karan Razdan are too flawless. But more specifically, I watched this movie for one actress and that is Smita Patil. Hat's Off to her!!! She has sparkled in whichever scenes she did and brought the warmth and craziness required to play an 'other' woman. Terrific performance by late Smita Patil.
Watch it if you haven't..at least for the peformances by Smita and Shabana..both truly compete!!
The other day, I happened to watch one of my favorite movies again on TV and it was SanjayLeelaBhansali’s Black. There are many reasons why I term this as one of my favorite movies. Firstly, it was fabulously directed by Bhansali. Secondly, the story was touching, the background score was gripping and cinematography was marvelous. And lastly, performances! No doubt about a classic act from Big B. It was very much expected from him. But I was surprised to see Rani Mukherji as Michelle. I mean, it’s not that I was watching her in any movie for the first time. I had loved her in ManiRatnam’s Yuva as well. But the way she has performed in Black left me speechless then in the theatre where I watched this movie for the first time and also this day when I was watching it on TV.
I can certainly rate and categorize Rani amongst those classic actresses of Indian Film Industry who gave an altogether different meaning to the word ‘BollywoodHerione’. Madhubala, Meena Kumari, Vjayantimala, Nargis, Waheeda Rehman, Sharmila Tagore, Hema Malini, Rekha, Sridevi and MadhuriDixit are the most anticipated names of this category. They were Bollywood Queens. There are other ace actresses as well like Juhi Chawla, Kajol, Karishma Kapoor and Aishwarya Rai who made their best attempt to reach the topmost pedestal but weren’t very successful. Rani had the spark to reach the top. The performances she delivered in Kuch Kuch Hota Hai, Hey Ram, Saathiya, Hum Tum, Yuva, Bunty Aur Babli, Mangal Pandey – The Rising and Black aren’t some jokes. Her last successful attempt was KabhiAlvidaNaaKehna but unfortunately it was the director of the movie Karan Johar who messed up the script and the film couldn’t turn out that well.
But what after that? Babul, TaraRum Pum, LaagaChunariMeinDaag and Saawariya were Box Office Duds. ThodaPyarThoda Magic turned out to be another good-for-nothing movie. Is that all from Rani?
The Low phase in career graph is witnessed in each and every actor’s career. MadhuriDixit too experienced it in 1996 when her movies were simply failing to create the flutter. But don’t forget that Dil To Pagal Hai came in 1997 and Devdas in 2002. Actresses like Madhuri and Sridevi enjoyed a greater period of dominance in the industry. But look at Rani…it’s as if her career graph is going low and low.
The reasons are very much obvious. Rani’s association with Yash Raj Banner has done a lot of mess with her choice of selection of movies. Yash Raj Films are very much stereo-typical and Rani is doing similar kind of roles again and again without any variety like the way she did in Yuva or Black. Or is it that the air of the two consecutive Best Actress Awards which she received for Hum Tum and Black in 2005 and 2006 has gone in her head?
